Superhero movies are one of the most defining exports of the 21st century, but as all comic book fans know, a hero is only as good as his villain. As a result, it should come as no surprise that many of his live-action performances have employed a wide selection of said villains as part of his ensemble cast, but as hardcore fans will point out, some of them did it well. done from. While the prospect of including a litany of classic baddies seems perfect for a popcorn-munching, big-screen experience, in practice it usually results in a film that ties everything together without a clear narrative. . The Amazing Spider-Man 2, Wonder Woman 1984And iron man 2 There are some examples of people who suffer from trying to do too much in too little time.
All of them would have benefited from a tighter script, but when faced with the incredible task of balancing the demands of studio executives while keeping fans happy, such ideas get out of the way. It’s a shame because it has resulted in some of comics’ greatest villains being side-lined in their own films, wasting the perfect opportunity to present them to the general audience. The age-old notion that sequels may be required is big but rarely does it translate better. It’s not that multi-villain superhero movies can’t work, they just need an artistic script that merges all of its elements into a singular narrative with a central theme, and 14 years later, there’s no better example than this. Not there. dark Knight,
resist the temptation of multiple villains
2008 follow-up to wildly successful Batman Begins, dark Knight saw Christopher Nolan Reinforcing himself as one of the defining filmmakers of his generation, setting the blueprint that all subsequent superhero films either deliberately copied or purposefully avoided. It’s a common choice for the greatest superhero movie of all time and has proved that even a story about someone who dresses up like a bat and fights crime can get him that. Can be told with level craft that matches the crme de la crme of Hollywood. A large part of this success stems from being an incredibly tight film, which focuses its energies on one main trio of characters: Batman (Christian Bale), Harvey Dent (Aaron Eckhart), and Joker (Heath Ledger,
Batman and the Joker Fight for Harvey Dent
The basic premise seems like one ripped straight out of the pages of a comic book — completely opposite ideologies of Batman and the Joker battle for the fate of Gotham City — but the genius of dark Knight Dent provides a new battlefield for the decades-long conflict. The film is essentially a battle between Batman and the Joker for the fate of Harvey Dent, each seeing his role as the city’s newly-elected district attorney as the perfect tool to achieve his vision: what Batman hopes. that she would bring peace to his form Vigilante never could (making himself redundant in the process), and the Joker sees her as the ideal target to prove that no one is susceptible to his unique brand of chaos. . Through some careful planning and a few well-placed jokes, the Joker manages to break Dent’s moral compass, turning him into the villainous Two-Face.
It’s a shocking moment when we first see his distorted face, and even more so when he begins a violent one-man crusade against those responsible for Rachel’s murder (Maggie Gyllenhaal) Just a few scenes ago he was the golden child of Gotham, voluntarily throwing himself into the firing line to help capture the Joker, and now he’s deciding whether to let people live based only on the toss of a coin should or should die. The villain’s murmur that was previously only glimmering is carried to the fore, and with it comes Batman’s dream of bringing peace to Gotham through completely legal means. Batman and Commissioner Gordon (Gary Oldman) later cover up Dent’s actions, allowing the city to maintain the sober image of its illustrious white knight, but they do so at a great cost. The peace that follows is based on lies, their cover-up resulting in a slew of laws violating people’s basic civil rights (a plot that continues the dark Knight Rises) It also forces Batman to be burdened with guilt for murders he did not commit. He may have achieved his retirement, but far from what he had originally expected.
all the heroes have changed
at the start of dark Knight, Batman, Harvey Dent, and Commissioner Gordon are the three greatest heroes of Gotham. By the time the credits roll, all three have dipped their toes across the line they vowed never to cross, and have all received a punishment as a result. The entire film puts them in extreme situations with no clear answers, and while Batman and Gordon avoid completely abandoning their beliefs, Dent does not. There’s a clear message about maintaining his moral qualities even in high-pressure scenarios, and Batman’s failure to stop Dent from doing so leaves him with wounds that will never heal. It’s fitting that the last time we see the Joker he’s laughing madly, it’s all because of his actions. The Joker plans to kill Rachel, weaving a delicate web of corrupt cops and criminal gangsters that Dent is unwilling to feast on. As the Joker says, “It’s all a little pushback,” and after a tense conversation/interrogation in his hospital room, the dent we previously knew is gone.
Joker and Dent made each other
From this point on, the film has two primary narratives: the Joker’s relentless efforts to end the chaos on Gotham, and a two-faced campaign of vengeance against those who killed Rachel. However, even though these storylines progress from moment to moment, it still feels like a unified narrative. The Joker and Two-Face have weaved into each other’s lives throughout the film, and given that one is directly responsible for producing the other, it never seems as though two separate films compete for attention. does.
During the film’s climax where the Joker tries to convince the passengers on a pair of ferries to blow up each other, Nolan often cuts to Dent’s scenes that turn into debauchery, leaving us with this Allows to see what effect the Joker has on both of Gotham. a micro and macro level. The use of this technique also amplifies the tragedy of Dent’s character – both the city and Batman are distracted by the ghats to notice that any chance of redemption has long since disappeared into what Dent is doing. They eventually capture him. The ending of the film that sees Batman blamed for Dent’s murders serves not only as a conclusion to this particular plot, but also to the wider narrative. The Joker’s whole goal was to prove that even the most moral of people can be corrupt, and as long as Batman moves swiftly into the distance with the police on his heels, there is no doubt that he has achieved it.
to is perfect number
One of the smartest decisions I ever made with Nolan dark Knight Was narrowing it down to just two villains. while success Batman Begins That enables him to include virtually anyone, he cleverly avoids overloading the film with classic characters. Even when they have the opportunity to join the Riddler with the similarly characteristic Coleman Reese (Joshua Harto), a technical genius whose name sounds suspiciously similar to “mystery” when called “Mr. Reese” (almost certainly an homage to the Riddler’s real name, Edward Nygma, sounding like “Enigma”), Nolan avoids it. His small but important role in the story, by suddenly throwing out Batman’s second most iconic villain The film benefits greatly by dropping him as an original character with only a minor reference to his potential comic-book counterpart. Similarly, while other DC villains like Sal Maroney (Eric Roberts) and scarecrow (Cillian Murphy), their roles are kept short (with the latter appearing in only one scene), ensuring that the focus is always on the Joker and Two-Face.
Compare this to the approach taken by other superhero movies, and you can see how impressive it is. the dark knights is structure. The Amazing Spider-Man 2, for example, Spider-Man’s three major villains fits in with plotlines that feel completely different to most of the film, while also managing to squeeze in obvious references to several others. A die-hard Spider-Man fan might enjoy it in a “greatest hits” way, but such things are not conducive to efficient storytelling. electro (Jamie Foxx) and Green Goblin (Dane Dehan) The decision to reign terror over New York at the same time appears to be more coincidental than anything else, and it can be easy to forget that one plot exists when looking at another. by comparison, dark Knight Joker’s story weaves in every frame of the film. Two-Face wouldn’t exist without him, and likewise, if the Joker fails to corrupt one of the film’s main heroes, he will no longer be a threat. The two compliment each other, the secret element that makes the film work.
Of course, doing such things is much easier said than done. Balancing the mountain weight of priorities associated with all superhero movies is no easy task, so it should come as no surprise that the genre’s many recent successes such as black Panther And Avengers: Infinity War Focused on just one obvious villain. Still, it’s hard to resist the temptation to include multiple villains, especially when working from source material with such iconic rogue galleries. Spider-Man: No Way Home And Even the Caped Crusader’s Latest Reboot Batman A shared narrative saw fans treat many of their comic-book favorites, and while the two pulled it off reasonably well, they still lacked finesse. dark Knight, Its delicate mix of some well-placed villains in an elegantly constructed script just can’t be beat and remains the gold standard for anyone to follow.