Toronto Review: Rian Johnson’s ‘Glass Onion: A Knives Out Mystery’

This beggar belief that began as a futile idea—to continue the adventures of the world’s “greatest detective” detective Benot Blanc—as not only indispensable franchise placeholders but among the most thrilling, funny, and downright entertaining movies of all time. is one of. The year. Cleverly cast, it boasts one of the year’s most brilliant screenplays, not only in terms of its excellent, laugh-out-loud dialogue and satire on pop culture, but in the meticulous, meta plotting of a traditional whodnit that minds. Keeps calm Lasts from beginning to end. Unusually for a recent Netflix presentation, hardly a minute is wasted, and it’s no surprise that a Christmas release has been planned for a wisecracking crowd-pleaser who’s playing a beat with every beat. Hits the bull’s eye.

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Director Rian Johnson was pretty open about the original knife out The impact, and the immediate premise of this sequel—a group of friends are called to a remote Greek island by an old acquaintance—suggests an homage to the 1973 ocean-bound crime thriller The Last of SheelaThe unlikely and somewhat psychedelic brainchild of screenwriters Stephen Sondheim and Anthony Perkins. glass onion, however, is merely teasing out that context; After setting sail, it becomes its very own animal, setting off a frantic kinetic motion that never gives up. it is alien creatures Of knives out Cosmos, an exponential iteration of a great concept that by now knows its main character inside out and is thinking big when it comes to finding a brain challenge that deserves it.

(L-R) Kate Hudson as Birdie, Leslie Odom Jr. as Lionel, Katherine Hahn as Claire, Edward Norton as Miles, Jessica Henwick as Peg, Madeline Cline as Whiskey and Duke dave bautista

Here, the host is Miles Braun (Edward Norton), the billionaire owner of Alpha Company, and the friends who gather to visit his island are an isolated bunch. Claire Debella (Kathryn Hahn), a politician who stands after her Democrat as an independent candidate; Lionel Toussaint (Leslie Odom Jr.), a renowned scientist; Birdie J (Kate Hudson), a former model with her own clothing line; and Duke (Dave Bautista), a male rights YouTuber, who falls in with his girlfriend Whiskey (Madeline Cline). As they wait at the docks, everyone is surprised when celebrity sleuth Blank (Daniel Craig) shows off his masked face – the date is 13 May 2020, the height of lockdown – but they are more surprised to see Andy Brown (Janelle Monae) Huh. Former business partner, with whom there is nothing but bad blood after a bitter court case.

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After dispatching sophisticated puzzle boxes (apparently designed by one of Ricky J’s apprentices), Braun greets his guests upon reaching shore. Banksy statues are waiting for him on the sand, and Bronn is frantically slamming “Blackbeard” on the guitar, claiming that McCartney wrote it (note: please watch the movie before writing to comment on this). Every 60 minutes we hear “An Hour Dong”, written exclusively for Brawn by Philip Glass, and almost everything about his ridiculous whereabouts is commercialized and modified: “This Rich Guys Is Weird,” a As character comment.

Braun has gathered these seemingly random people for the weekend’s murder-mystery game that will see him investigate His the killing. But given that all the guests have a good reason to see him dead (they all are, as Andy reveals, addicted to Bron’s “golden tits”), will the game be played for real? The guessing game begins now, and the twists and turns that follow glass onion Almost impossible to review without spoilers, constantly re-calibrating – for example, Johnson includes a nod to Hitchcock vertigo To an incredibly satisfying effect – but significantly not stray too far from its audience.

Katherine Hahn as Claire, Madeline Cline as Whiskey, Edward Norton as Miles, Leslie Odom Jr as Lionel and Kate Hudson as Birdie.

(L-R) Katherine Hahn as Claire, Madeline Cline as Whiskey, Edward Norton as Miles, Leslie Odom Jr. as Lionel, and Kate Hudson as Birdie
John Wilson / Netflix

The key to this is an expansive sense of humor that allows Blanc to blossom like the previous knives out Wouldn’t have allowed: Now that the character is established, Craig has an indecent fun with him, pushing Southern caricatures to the limit and then exploding within the first 40 minutes into a spectacular piece of mis-footing. Following his lead, all characters are allowed to send themselves — not least Blank Birdie, the former cover star. Face And a Twitterer so careless that his assistant has to hide his phone. The Duke, with his gun-holster short trunk, is a wonderful and equally brave piece of self-prank, and a career-high Norton – where has this prolific actor been lately? There is only icing on the cake.

This leaves two standouts: Craig, now free of Bond, has finally caught up with the comedy, revealing previously untapped depth (a scene in which the deadpan is hidden behind Blank and between the bronze statue’s buttocks. , is a mini-masterpiece of silent comedy). But the Ana de Armas Award for the second iteration of knives out Goes to Mona who puts on one of the best and most effortlessly perfect performances of 2022. The explosive finale can be a bit messy but glass onion Not alone in this, joining Ruben Ostlund’s Palme d’Or winner triangle of sorrow An infectiously joyous romp that skews self-satisfying fanfare and the literal folly of the world gone really crazy.

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